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2023-03-13 295min
Laufzeit: Genre: MusikProduktionsfirmen: Produktionsländer:
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INHALTSANGABE & DETAILS
The Metropolitan Opera: Lohengrin – In einer stimmungsvollen Neuinszenierung verbindet Regisseur François Girard seinen markanten visuellen Stil und sein dramatisches Verständnis mit Wagners überwältigender Musik.
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Definition and Definition of Film / Movie
While the players who play a role in the film are referred to as actors men or actresses women. There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films.
Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story.
There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.
That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful.
TV MOVIE
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast the 1954 Tournament of Roses Parade in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
Formats and Genres
See also: List of genres § Film and television formats and genres
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional as in comedies and dramas, or non-fictional as in documentary, news, and reality television. It may be topical as in the case of a local newscast and some made-for-television films, or historical as in the case of many documentaries and fictional MOVIE. They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows except for soap opera-type serials typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed]
In 2007, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
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Lohengrin stands at the epicenter of Richard Wagner’s career—chronologically, thematically, and artistically. It is a Romantic-era reimagining of a persistent Medieval legend about a mystical knight who champions an oppressed maiden on the sole condition that she never ask his name, and the issues at stake range from the spiritual the role Lohengrin: “In fernem Land” Watch on At the Met in 1998, Robert Wilson distilled “Lohengrin” into a vision of hovering bars of light and glacially shifting gestures. The opening night A story of mysterious arrivals and sudden departures, Lohengrin is back at the Met for the first time in 17 years with a new production by François Girard. Audiences familiar with his previous After taking a February hiatus, the Metropolitan Opera kicked off the second half of its 2022-23 season on Sunday with a new production of Wagners Lohengrin —and the reviews are in! In ‘Lohengrin’ Review: Color-Coded Wagner at the Metropolitan Opera In director François Girard’s production of the operatic fairy tale, powerful turns from Piotr Beczała and Christine Goerke “ Lohengrin ” was first performed in Weimar, Germany, in 1850 at the Staatskapelle Weimar, under the direction of Franz Liszt However, the composer, Richard Wagner, was not present at the debut because he had been exiled due to his part in the May 1849 Uprising in Dresden Lohengrin contains Wagner’s most demanding and rewarding choral writing, and the Met’s unrivaled ensemble performs it with unflagging power and superb control The mercurial conductor has Lohengrin is one of Beczała’s finest creations Girard doesn’t call upon him to do much more than be noble, but he nevertheless exuded confidence and glamour as the swan knight His tenor is healthy, free and gleaming; its luster has not diminished even as it has grown in weight in color with the years A New ‘Lohengrin,’ Threatened by War in Ukraine, Comes to the Met François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which A story of mysterious arrivals and sudden departures, Lohengrin is back at the Met for the first time in 17 years with a new production by François Girard Audiences familiar with his previous See Lohengrin at the Met Opera Wagner set his opera in Antwerp, now in Belgium, around the year 930 The specificity of time and place is key to the tale: a castle parts of which still exist on an important river the Scheldt on the borderlands of the emerging German nation and at the edge of Christianized Europe—with pockets of paganism still thriving at that time directly to the north By the end, audience members were on the edge of their seats and stood immediately in appreciation of such an exquisite production The Met Opera’s 2023 “Lohengrin” was a catalytic example of art history in the making The power of great art became the true power of all Reviews Stage Reviews By Jennifer Pyron